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Donald C. & Elizabeth M. Dickinson Research Center Archive & Finding Aids GUIDE to the GEORGE A. ADDISON PHOTOGRAPHS AND TAX DOCUMENT, circa 1890-1907 GEORGE A. ADDISON. 76 photographs and 1 document, circa 1890-1907. 0.6 cubic feet (1 small box, 1 photo binder box). Location: 0315. Introduction: Photographs from the studio of Texas and Oklahoma Territory photographer George A. Addison, consisting primarily of portraits of American Indians from the Fort Sill, Oklahoma Territory area. Notable persons pictured in the collection include Geronimo and Quanah Parker. images of Native American lifeways and material culture and a small number of photographs documenting white settler life at the end of the 19th century are also included. Biography: George A. Addison was a photographer who operated studios in Texas and Oklahoma Territory from the early 1880s through at least the first decade of the 20th century. He operated studios in Taylor and Georgetown near Austin, Texas; Nocona in northern Texas; Wheeler County in the Texas Panhandle; and, from 1890 to 1895, in the Fort Sill, Oklahoma Territory area. In addition to the usual studio work, the collection shows that he also photographed landscapes and other outdoor scenes. Source Mautz, Carl. Biographies of Western Photographers. Nevada City, Calif.: Carl Mautz Publishing, 1997. Scope and Content: The collection is arranged in three series, George A. Addison, Native Americans, and Settler Life. Virtually none of the 76 mounted photographs that comprise this collection can be dated with certainty. The bulk of the collection consists of photographs of American Indians that were probably taken during Addison’s time in the Fort Sill area (1890-1895), but other images are copy prints or are otherwise not specifically dateable. Photographs that cannot be specifically dated have been dated as circa 1895, which covers Addison’s time at Fort Sill and his period of greatest activity as a photographer. Some photographs exist in multiples and others have significant damage to the emulsion or mount, including one Geronimo image that has been torn in half. In addition to this finding aid, more detailed information about each photograph is available in the Research Center database. George A. Addison (ca. 1895-1907) consists of two items related to Addison and his career, a 1907 Wheeler County, Texas Occupation Tax Receipt issued to Addison in Mobeetie, Texas, the only non-photographic item in the collection, and a portrait photograph of Addison. Native Americans (ca. 1895-1897) consists of 66 cabinet card and other mounted photographs of American Indians, the majority probably taken by Addison while he was in the Fort Sill area. The bulk of the photographs are studio portraits of children, men, women, and groups, but the series also includes six photographs of the Fort Sill Indian School. Significant individuals pictured include multiple images of Geronimo and Quanah Parker as well as Gaul, Kicking Bird, Lone Wolf, and Toshaway. Included are images that are known copy prints of other photographer’s work including images by Charles Bell, Alexander Gardner, William E. Irwin, and William S. Soule. These images illustrate the common 19th century practice of producing copy prints of other photographer’s images for the resale market. Only 15 images have Addison mounts, but it is probable that most of the Native American photographs with plain mounts are also Addison images. Most of the photographs were not originally captioned, but have been given descriptive captions in the container list; when a photograph is captioned but needs additional description this has been indicated in the container list by square brackets. Almost 20 of the Indian photographs have notations by Addison’s daughter Laura written in fountain pen on a separate piece of paper, then taped to the reverse of the photo mount. Based on the consistent appearance of these notations and internal evidence referring to the existence of Laura’s children it is probable that the notes date from the 1920s or 1930s, rather than from when the photographs were printed. The notes variously identify persons pictured in the photographs, including members of the Addison family; make (sometimes derogatory) comments about the appearance and dress of the persons pictured; or comment on the significance of the image, for example, one of the Geronimo photographs taken by her father. Collection images documenting Native American history, lifeways, and material culture include a photograph of what Laura Addison terms an “Indian camp meeting,” which seems to be some sort of religious revival attended by both Indian and white people including members of the Addison family who are identified in the photograph; the tree bough shelter where the meeting was held can be seen in the background of the photograph. Other notable images include a photograph that shows, according to Laura Addison’s caption, Indians obtaining the last government rations to be distributed at Fort Sill and nice shot of a large Southern Plains Indian social dance. Also included are images of tipis, Wichita Indian grass homes, and a faded copy print showing two tree interments. The bulk of the Native American Series, and the bulk of the collection as a whole, consists of 53 portrait photographs of American Indian children, men, women, and groups. Most of the images are formal studio portraits, but some are taken outdoors or in more informal settings. A small number of portraits have been tinted, some with greater success than others. Some of the persons pictured are named and famous like Geronimo and Quanah Parker, some are named but not well known, but the majority are unknown persons. The many examples of traditional clothing, jewelry, hairstyles, headgear, and material culture objects shown in the portrait photographs are collection highlights. Included are examples of fringed and beaded dresses, shawls, and sashes; women’s clothing decorated with elk teeth; otter fur hair wraps; feathered headdresses; cradleboards; feather fans; and necklaces. Other images include photographs of Quanah Parker in the living room and dining room of his home near Fort Sill, a wonderful photograph of six Indian women on horseback in traditional clothing, two of whom are holding umbrellas, and an interesting photograph of two Kiowa women with a crying baby in a cradleboard who are posed with a little barefooted white girl in a party dress. Six images of the Fort Sill Indian School from the late 19th century are also part of this series. The school buildings and grounds, as well as the students, are shown in the photographs. Three of the images show the same view. Settler Life (ca. 1890-ca. 1905) series includes nine photographs that document aspects of white life and settlement at the turn of the 20th century. Included are three landscape photographs, two images of the Wichita Mountains near Fort Sill and an unidentified photograph of a grass or forest fire at night. Three photographs touch on aspects of frontier military life. There is a photograph of the popular lithograph Custer’s Last Fight, which was widely distributed by Anheuser-Busch, which also shows up in the collection photograph of Quanah Parker in his living room. Two photographs apparently show scenes in the officer’s mess at Fort Sill. Two portrait photographs are included, one is a group photograph of three soldiers and four little girls, presumably a family portrait, the other was taken by Russell, Kansas photograph J. H. Allen and shows an unidentified young couple. Finally, there is a single photograph that is unidentified, but looks like it was taken in a town shortly after one of the Oklahoma land runs. The photograph shows a group of men in front of a large sign for a real estate office and there is what appears to be an outdoor bar set up behind the men. Subject Terms: Personal Names: Addison, George A. Addison, Laura Gaul Geronimo, 1829-1909 Kicking Bird Lone Wolf Parker, Quanah, 1845?-1911 Toshaway Subject Headings: Apache Indians-Oklahoma Chiricahua Indians-Oklahoma Comanche Indians-Oklahoma Cradleboards Fort Sill (Okla.) Fort Sill Indian School Group portraits Hairstyles Headgear Indians of North America-Clothing Indians of North America-Dwellings Indians of North America-Jewelry Indians of North America-Oklahoma Kiowa Indians-Oklahoma Photographers-Oklahoma Photographers-Texas Portrait photographs Slaughtering and slaughter-houses Tipis Wichita Indians-Oklahoma Processing Note: The collection was purchased with funds provided by Martin C. Dickinson in May 2004 and processed by Jonathan Nelson in June 2004. Based on internal evidence in the collection, it is probable that this group of photographs from Addison’s studio passed to his daughter Laura after his death, eventually passing into the commercial market at a later date. Ownership and Literary Rights: The George A. Addison Photographs and Tax Document is the property of the Donald C. & Elizabeth M. Dickinson Research Center, National Cowboy & Western Heritage Museum. Literary right, including copyright, belongs to the National Cowboy & Western Heritage Museum, with the exception of copyrighted artwork images and published literary works, which are the property of the respective copyright holders. It is the responsibility of the researcher, and his/her publisher, to obtain publishing permission from individuals pictured, relevant copyright holders, and the National Cowboy & Western Heritage Museum. Restrictions on Access: The collection is open for research. It is advisable for researchers to discuss their proposed research with staff prior to visiting the Center. Preferred Citation: George A. Addison Photographs and Tax Document, Box ##, Folder ##, Dickinson Research Center, National Cowboy & Western Heritage Museum, Oklahoma City, Oklahoma.
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